Harding, Philip

b. 1959. Richland artist. Related to the Richland Saint Street Studio.

Full Expanded ID
PHA.602.612.614
Item Type
Representation(s)
Extent
57 KB
Creator(s)
Scope and Content
A verbal description of the organizational structure of the digital collection, and Philip Harding's statement on sharing the material.
Notes
The .odt is missing some of the images that Philip Harding intended to include.
Please view the .docx variant of the file (in the same directory), and the PDF file derived from it.
Critical Stakeholders
Full Expanded ID
PHA.602.612.613
Item Type
Representation(s)
Dated Event
PDF variant created
Extent
30 KB
Creator(s)
Scope and Content
This is the story of Philip Harding's relationship with the Acord materials that were in his care, from their rescue from the "Saint Street Studio" of James Acord, in Richland, WA, through to their (partial, majority) acquisition by the Hanford History Project, also in Richland.
Notes
A PDF was generated from the original file.
Critical Stakeholders
Full Expanded ID
PHA.602
Item Type
Extent
149.05 GB for the edited version
Creator(s)
Administrative History
The examples of these files in this Acord Archive were given by Philip Harding on a Sandisk USB drive to Demi Raven for inclusion on 15 October 2026. Two variant sets of documentation were given: "acord.archive" and "acord.archive.edited." The former includes duplicates and variants that are not included in the latter, and the latter is what is represented here.
Notes
Two variant sets of documentation were given by Philip Harding to the Arcord Archives: "acord.archive" and "acord.archive.edited." The former includes duplicates and variants that are not included in the latter, and the latter is what is represented here.

The digital set held at the Hanford History Project may vary.

This documentation is not exhaustive — there are numerous letters and documents not photographed. Additionally, the contents of the digital documentation were reorganized from the from the original physical fonds, and thus the folder organization of the files should not be taken as an indication of the physical organization of the materials.

Physical items represented here may be held by different stewards (e.g. Philip Harding and the Hanford History Project).
Critical Stakeholders